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The Fuji Film FinePix S1000fd’s 12x optical zoom lens expands your shooting reach, covering a remarkable focal range of 33-396mm, bringing you close enough to capture subtle expressions.

The single built-in lens means you’re always ready to shoot, with no need for bulky extra lenses or time-consuming lens changes.

Picture Stabilization mode automatically sets the optimum shutter speed and sensitivity for each scene, preventing blur from camera shake or fast-moving subjects, even in low-light situations.

Super Macro mode lets you move in as close as 2cm (0.8″) making it easy to take high-impact full-frame close-ups. The Panorama Shooting Mode makes it easy to create impressive panoramic photos.

…click here to read more

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Just real people who actually use this stuff, and will tell you straight up the pro's and con's of it.  Available for interactive Q&A on any topic you can imagine -- available to YOU, so ask your questions!  And yes, partnerships with the world's leading online retailers so that if & when you DO find the perfect piece of photographic gear for YOUR specific needs, you can buy with confidence -- again, only from retailers we have PERSONALLY shopped, trust and highly recommend.  

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If we don't recommend it, there's a reason!

Last week, Fujifilm announced a two-lensed camera that takes images and movies in 3D and captures wide-angle photos of single scenes simultaneously. As a result, we've heard some rumbling in the wires about other camera manufacturers coming out with their own version in the next year or so.

Waktu dah kerja n pertama kali dah punya uang lumayan banyak. gw beli kamera Digital. Fujifilm lagi. Masih VGA waktu itu dengan resolosi kecil banget n memori cuma 2mega, tapi tuch kamera adalah kamera yang sangat gw idam-idamkan. Sempet ilang n terakhir mati sahid karena gw colok ke adaptor yang ga sesuai dengan kapasitasnya... Kacian dech lu.

Abis Itu lama kemudian gw beli lagi ama pacar gw. Merknya HP. Poket juga. n bernasip tragis, karena ilang yang ga tau juntrungannya.

N tralala, sekarang gw beli lagi. Setelah merenung dalam dalam kedalam kantong gw, gw tertarik iklan di glodokshop ama Fujifilem (lagi) FinePix S5700. Wah hebat banget tuch kamera, mure alias ga sampai 2 juta.

Wah menarik banget.
N inilah hasil jepretan-jepretan pertama Gw....

Poto diatas gw ambil di perumahan Metro Marina Ancol deket kantor gw jam 5:30 an. Dah mau gelep, tapi gambarnya masih oke kan....

Yang gw suka dari kamera ini juga, Enteng banget, dibandingkan kamera2 gw sebelumnya. Kayaknya sich dibuat dari plastik gituh. Jadi enak ditentengnya.

Gambar pesawatnya keliatan jelas kan....

 Asiknya lagi, nich kamera,  Udah murah, Zoomnya 10x Optik, Enteng, SLR Looks, Item (Ga ngaruh), Yang beli ganteng (Narcis), n di saat gelep masih nangkep jelas. Wah cocok lah buat pemula menjelang manula kayak gw. Next time gw poto-poto lagi ach....

五點結束之後, 時間允許的話, 通常會從十八街走到四十二。

省了兩塊地鐵費用, 換來二十分鐘慢慢觀察人潮來去的機會。

有點刻意把schedule排得很整齊劃一（是也沒那麼緊湊拉, 還是有很多很閒的moment）, 大概就是不得閒的時刻比較多那樣。排得滿滿的行程其實不會困擾我, 尤其是發現想學想做的事太多時間卻太少這點比較困擾。於是生活便成了什麼時間應該出現在什麼地方, 完成什麼樣的事。

一路從第五大道往北前進, 熨斗大樓, 帝國大廈, K-town, 然後是市立圖書館。 走路的感覺很好, 腦袋裡空白的感覺也很好（所謂放空？！）。雖然短短二十分鐘裡總會不時冒出對生活的問號, 對於某些決定的疑惑種種, 但其實還滿享受這樣的生活。

能夠恣意揮霍的時間總是太少, 像是現在, 所以一定要認真的燃燒生命呀（偽熱血貌）。

Fujifilm 2 objektifli kamerasıyla 3 boyutlu fotoğraflar çekmeyi başardı.  videoyu izlemeyi unutmayın.

Corporation today announces a radical departure from current imaging systems with the development of a completely new, real image system (3D digital camera, 3D digital photo frame, 3D print) that marks a complete break from previous attempts to introduce this technology.  show the video

The arrival of digital photography over a decade ago opened up so many new ways of enjoying images, not only through capture, but also through manipulation, printing and display. Sales of digital cameras, and other devices like camera phones or webcams have raced ahead of what experts had expected because of the sheer scope of what has become possible in digital imaging.

So many more consumers are enjoying photography through their cameras, PCs and prints than was the case in the heyday of film.

Fujifilm is determined to push those boundaries yet further, to produce devices which offer new ways to capture and process images, and to expand consumer enjoyment of photography in ways that had hitherto only been imagined.

Fujifilm has a strong research program currently running to improve every aspect of capture and output. This is based on the broad concept of producing images as lifelike as possible, or more simply, 'capturing an image exactly as your eye sees it.' The 'Real Photo Technology' program is determined to improve key quality metrics for each generation of camera, like 'high resolution with low noise', 'expanded wide dynamic range', 'intelligent scene recognition', 'intelligent flash', 'face detection' etc., culminating in the announcement this September of a new type of sensor, Fujifilm Super CCD EXR, which will take image quality to levels hitherto undreamed of.

Previous 3D systems were hampered by poor image quality, and a cumbersome user experience, which often meant the need for special 3D glasses. One major benefit of the FinePix Real 3D System is that for digital camera LCD playback, display and print, the consumer can enjoy the image just as it was originally seen with the naked eye.

The same research team is determined to use these key technologies to open up a new market with 3D imaging. The new 3D image system features advanced image signal processing and micro-component technologies, and is so far able to demonstrate a camera, a viewing panel and a 3D printing system. Fujifilm ,uk

走走停停之間的小細節。

SOHO and West Village.

September, 2008.

The narrative potential of a still image can be increased by the absence of temporal and contextual clues that are usually used to provide images with a predetermined sense.
However, the absence of such processes can also be used to increase the narrative tension of an image to a critical point when a context and a sense have to be created and forced on the image in order for it to make sense and to be understood.
The context and the backstory of the image (in short; it's narrative composition) then take the uttermost importance and become the foremost aspect of the image and force us to reconsider our conception of the photograph we are confronted with as more of a conceptual object than just a simple image.

This reasoning is heightened  by our era of numerical imagery and user created content when we are flooded with a constant stream of images that are not always provided with a context.
Coupled with an apprehansion on the part of viewer in front of the now limitless technical possibilities that allow us to create a beliveable fake image, or an unbelievable real image, our very notion of truth in the photographic image is challenged; no longer can something be considered "the truth" only on  the grounds of a photograph.

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Le potentiel narratif d'une image fixe peut être augmenté par l'absence de barèmes temporels et contextuels qui sont généralement utilisés pour fournir au spectateur un sens pré-défini à l'image.
Cependant, l'absence de ce procédé augmente la tension narrative de l'image fixe jusqu'à l'amener à un point critique ou un sens doit s'imposer pour que l'image puisse être comprise. Le sens et le contexte de l'image (donc, sa direction narrative) deviennent alors les éléments prépondérants de l'images et nous forcent à reconcevoir la photographie à laquelle nous sommes confronté comme un éléments conceptuel en soi plutôt qu'en une simple image.

Ce questionnement est même poussé plus loin par l'ère du numérique et de la multiplication des sources de contenus de toutes sortes, la véracité même de l'image est remise en question constamment par un influx incessant d'images fournies sans contexte et d'informations contradictoires, couplée à une appréhension du spectateur suite aux possibilités techniques maintenant infinies qui permettent la création d'images fausses semblant vraies, ou le contraire.

L’EISA, acronimo di European Imaging and Sound Association, raggruppa 50 riviste specializzate nel settore della fotografia, audio e video di ben diciannove nazioni europee.

I suoi premi sono molto famosi ed anche ambiti.

Eccovi l’elenco dei premi fotografici:

• European Advanced Camera: Olympus E-3
• European Advanced Compact Camera: Casio Exilim Pro EX-F1
• European Camera: Sony α350
• European Compact Camera: Panasonic Lumix DMC-TZ5
• European Consumer Camera: Canon EOS 1000D
• European Consumer Lens: Tamron AF 28-300mm f/3.5-6.3 XR Di VC LD
• European Lens: Sony 70-300mm f/4.5-5.6 G SSM
• European Mini Photo Printer: Canon Selphy ES2
• European Photo Printer: Epson Stylus Photo R2880
• European Photo Storage Device: Sandisk SD-HC Plus Extreme, Ducati Edition
• European Professional Camera: Nikon D3
• European Professional Lens: Nikon AF-S Nikkor 14-24mm and AF-S 24-70mm f/2.8 G ED
• European Professional Photo Software: Apple Aperture 2
• European Super Zoom Camera: Fujifilm FinePix S100FS
• European Ultra Compact Camera: Olympus µ 1030SW

When populations move on and migrate across the urban territory, empty shells are left behind to testify for the temporary presence of a small collectivity of humans.

This work aims at documenting and preserving those free-standing structures erected by previous populations as a part of a collective heritage and a monument to human cities.

1 of them was the

Pentax DSmobile 600 Scanner
 

And the Fujitsu Scansnap s300M

I finally brought the Fujitsu scansnap s300m
reason?

I went to Yodobashi Camera and I saw both versions and the answer was obvoius
the pentax one does't have a measurement slider.
that Means when i scan my INSTAX they wouldn't be straight!

even though it costed a little more, it was definitely worth it
It's light and very simple to use.

this is my Table's Setup
you can see the scanner behind my wacom Intuos3 graphic tablet

the following are some Instax that I scanned 

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Fire on a Chilly September Night
Sep 2nd, 2007 by Don Iannone

Dancing fire, rhythmic orange and yellow flames
rising and falling in waves, licking chilly September night air
Crackling voices, speaking glowing light in shrouded darkness
The alluring tango, igniting promiscuous desire
flirting with wild, deep-seated passions
once touched by fire, causing us to burn out of control

Ghost white smoke on flame fingertips, reaching
high above, into another world
untouched, throbbing, beckoning
inaccessible, like our passion
before the flames set it ablaze
consuming all we held

Then the dancing stops
Passion runs its course
Light surrenders to the silence
We lie motionless
as the fire pit grows deathly cold
and the inferno falls fast alseep in darkness’ waiting arms

Gears: Hand held, Canon EOS-500n, Fuji Superia XTRA 400
Location: Ladang, Kuala Terengganu, Terengganu, Malaysia
Processing: Not processed, Autosave-File vom d-lab2/3 der AgfaPhoto GmbH

View more photos at Flickr / aminus3 / VFXY

View image in full screen

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