Primer disco de la década del 80 para el Duque Blanco. El último para la discográfica RCA y el primero luego de la experiencia más experimental de finales de los 70 junto a Brian Eno, lo que se llamó la Trilogia de Berlín. Lanzado en Septiembre de 1980 debutó número 1° en el ranking de UK. El primer single fué lanzado en agosto del 80 "Ashes to ashes" al que le siguió "Fashion" en octubre del mismo año, dos hits de una nueva etapa de Bowie.
En el disco participan de invitados Robert Fripp y Pete Townshend en varios temas. Producido por Bowie con la colaboración de Tony Bisconti el sonido busca un balance entre vuelo y pop, entre tengo todo el 70 encima y el 80 me quiere moderno. Es un disco rocker, pero con unos arreglos y unas ideas justitas, bien puestas. Sin ser demasiado pretencioso, puede que sea su último gran disco, especialmente a como se manifiesta la obra y en la respuesta del público y critica.
Recomiendo una escucha sincera y dedicada, si es posible en formato CD. Se destacan "Fashion" con una intro irrepetiblemente clásica; "Because you' re young" es un tema bailable con mucho humor; "Teenage wildlife" con David poniendo su voz muy alto y con Fripp viajado; "Kingdom come" con unos coros gigantes, mucho tamaño. Es un disco realmente con tamaño. Hay una reedición en CD del 92 que trae unos bonus, "Crystal Japan" que estaba solo en la edición Japonesa, es un instrumental muy moderno y una versión loquísima de "Alabama song" que originalmente estaba en un single americano del 79.

El próximo 30 de Octubre, a partir de las 22:00,  tenemos garantizadas dos horas de vibrante R´A´R´de la mano de Los Fredoom.

Sus raices beben de la musica de los 60s y 70s pasando por todos los grandes: Beatles, Cream, Hendrix, Led Zeppelin, The Who, Small Faces, Bowie.., siempre evolucionando y sin dar la espalda a nuevas ideas y sonidos.

La cita es en FenderClub en C/Escaño 20 ,  Getafe (Madrid).

...viltrotearemos por otros derroteros.

Nu säger säger ni säkert "ah men hallå, Life On Mars är ju faktiskt fantastisk såhär tretti år senare" och visst är den en bra låt, men aldrig i livet att den är världens bästa poplåt, men det är inte Flowers & Football tops heller, den perfekta poplåten kommer aldrig att skrivas.

Låter det nedslående? Känns det tungt? Har du inget att leva för längre? Äsch, gör som jag, lev på hoppet om att den en dag ska komma (den ytterst lilla möjligheten finns i alla fall) och njut av de små glimtar vi ändå får i låtar som Flowers & Football Tops, det gör vardagen i oktober så vansinnigt mycket lättare.

[stay] / go

Exhibit A: the Glenn testimony, in which Labour MP's on the Privileges committee responded to Glenn's substantial evidence that he had spoken to Peters with the suggestion that he only thought he had spoken to Winston Peters, and probably someone had stolen Winston's cell-phone and impersonated him. How the fuck am I supposed to compete with that?

So instead of writing about something else I'm resorting to the laziest kind of blogging there is: linking to a music video on YouTube. It's a good 'un though: David Bowie's 'Heroes'. From his Berlin period, co-written with Brian Eno and inspired by the sight of two lovers embracing in the shadow of the Berlin wall: talk about a relic from another age.

Bonus question: name one contemporary pop-star who could pull this video off:

Please let me have my meal Mommy?! See? I am doing "Sit" PLUS I am also lifting my front right paw, can you see?

Mommy: "Okie, here's your porky meal but you must wait till I say 'Ok' before you're allowed to start eating k?"

Okie, I promise! *look at tongue while I was waiting in anticipation! LOL*

Mommy: "Ok! Good boy!"
...chomp chomp chomp...

Ok, ok, I'm sorry. It's just that the Atlanteans are considered a joke race among us Balrogs. Seriously, what kind of dumb race destroys themselves? Oh, wait... you all are humans right... Never mind, don't answer that... Anyhoo, legend has it that the Atlanteans were almost as powerful as we (the Maiar, of course) were...

(Yeah, I said "almost". They're all sleeping with the fishes now, so let's see you prove me wrong :P ) At least until their rather unfortunate accident that ended in a race wide dirt water nap...

But they supposedly had some cool weapons. Perhaps nothing as cool as the stuff us fire demons cook up, but interesting nonetheless. And I think I've found one:

OK, so the site I found it on calls it an Ocean Bowie. But I'm sure we all know the truth. It's just a poorly disguised Atlantean bowie. I suppose they were trying to be sensitive to the unfortunate plight of the Atlanteans, but as one of the first races to win a civilization-wide Darwin award, I wouldn't have bothered. *cough*...

Anyway, it's certainly an interesting blade. A single piece, full tang construction, with sea blue patterned wood scales strategically pinned on a retro futuristic profile. The blade itself is actually not bad. A couple of unnecessary cutouts and perforations on the spine and the blade, but meh.

Beneath the blade and what I'm going to call the ricasso, is an interesting blade extension, that looks a lot like a fin. From a sailfish perhaps... Except without the spines... In fact, as you would expect from an ocean themed blade there many oceanic motifs at work. The hilt is rather interesting, with integrated choils for added grip, as well as an undulating finger guard, looking like another set of fins, extending down the front three quarters of the grip.

I thought the use of the extra circular and triangular scales above the grip, and along the ricasso, added a somewhat more mechanical feel to the fishy theme. Rather unusual but certainly a good representation of what the Atlantean culture was said to be.

All in all, certainly a decent blade. Can't really fault the Atlantean designers all that much on it. Perhaps a little too flashy for my taste, too much extraneous furniture, gills and fins and whatnot. But what would you expect from a race that drowned it it's own bathtub? :P

LOL... I kid... I kid...

Maybe... :)

Oceanic Bowie - [eBladeStore]

Anyway.

Songs For An American Girl:
Know Yer Pop! (I)
Marvin Gaye: I Heard It Through the Grapevine
John Lennon: Instant Karma
Bruce Springsteen: Born to Run
U2: Seconds
Talking Heads: Burning Down the House
Romeo Void: A Girl in Trouble
Lou Reed: Walk on the Wild Side
Police: Invisible Sun
Pretenders: Brass in Pocket
Midnight Oil: Beds Are Burning
Gang of Four: Call Me Up
Elvis Costello: (The Angels Wanna Wear My)
Red Shoes
David Bowie: Under Pressure
Beatles: With a Little Help from My Friends
John Cougar Mellencamp: Jack and Diane
Violent Femmes: blister in the sun
Sly & the Family Stone: Everyday People
Diana Ross & the Supremes: Reflections
10,000 Maniacs: Peace Train

Songs For An American Girl:
Know Yer Pop! (II)
Clash: This Is Radio Clash
BoDeans: Fadeaway
Eddie Cochran: Somethin’ Else
Jam: Town Called Malice
Belly: Feed the Tree
CCR: Bad Moon Rising
Patsy Cline: Walkin’ After Midnight
Five Stairsteps: Ooh Child
Pretenders: Stop Your Sobbing
REM: It’s the End of the World As We Know It
World Party: Way Down Now
Police: When the World is Running Down
Primitives: sick of it
Eurythmics: Sweet Dreams (Are Made of This)
Kate Bush: Running Up That Hill
Blondie: Call Me
Replacements: Achin’ To Be
Garbage: Only Happy When It Rains
Joni Mitchell: Chelsea Morning
Nick Drake: Pink Moon
Bob Dylan: The Times They Are A-Changing

Songs for An American Girl:
Know Yer Pop! (III)
B-52's: Love Shack
Van Morrison: Moondance
Temptations: Treat Here Like A Lady
Roy Orbison: Oh Pretty Woman
Sinéad O’Connor: nothing compares 2U
Elton John: Tiny Dancer
Cranberrries: Linger
Earth Wind & Fire: Got To Get You Into My
Life
Elvis Costello: Sneaky Feelings
Terence Trent D’Arby: Wishing Well
CCR: Susie Q
Macy Gray: Why Didn’t You Call Me?
Janis Joplin: Me and Bobby McGee
Wilson Pickett: Mustang Sally
Bruce Springsteen: Hungry Heart
Clash: Should I Stay or Should I Go?
Patty Smith: because the night
Violent Femmes: add it up

Songs For An American Girl:
Know Yer Pop! (IV)
Feelies: Time For A Witness
Clash: Rock the Casbah
Dead Kennedys: California Über Alles
U2: The Refugee
Police: Message In A Bottle
REM: Radio Free Europe
Marvin Gaye: What’s Going On
Gang of Four: I Love A Man In A Uniform
Beck: Loser
Chambers Brothers: Time Has Come Today
Peter Gabriel: games without frontiers
David Bowie: Space Oddity
Otis Redding: (Sittin’ On)The Dock of the Bay
Pogues: Thousands Are Sailing
Michelle Shocked: (Making the Run to)
Gladewater
Mamas & the Papas: California Dreaming
B-52's: Roam
Three Dog Night: Joy To The World

There are other cds for other family members; I guess I'll post them when I need another palate cleanser.

And yeah, these lists are limited, because I drew from my own cd collection (as opposed to pulling songs off Napster or iTunes or wherever); I'm old-fashioned like that. Oh, and I think the idea was to create 'historical' discs. Whatever.

Off to read Bedlam Farm. A fine way to close out the evening.

I've been experiencing various levels of seasickness now for days. The morning after my previous blog post, we awoke to torrential rain, winds and massive sea swells - which are only now beginning to subside. I've experienced terrible storms on land, but this is something else altogether... I'd have been worried if the crew hadn't taken it so nonchalantly in their stride.

The first of the rough weather was actually kind of exciting for us all. Edith and RJ found playfighting with the whole cabin rising and falling totally hillarious. It also provided a perfect opportunity for me to introduce them to one of my Grandfather's favourite pieces of doggrel:

The night was dark and story, and the waves crashed over the ship. The captain said to the cabin boy, "Antonio, tell me a story!" - and the story began like this: The night was dark and stormy, and the waves crashed over the ship. The Captain said to the cabin boy, "Antonio, tell me a story!" - and the story began like this: The night was dark and stormy...

The novelty wore off pretty quick, both for the cabin boy's story and the weather. I think it was after the third day of nausea that I made a pact with myself: If air travel doesn't become readily affordable again, I am never leaving New Zealand. Of course, if we've only got twenty-three years left to pull ourselves from the brink of extinction, the whole idea of unforced travel seems a bit extravagant.

Speaking of pacts, there's actually been an unspoken one amongst those of us on the ship. Ever since the day the news broke about the GEAS report, it's been hardly mentioned by any of us. As if maybe the whole thing was another of those fusions of theater, disinformation and synchronized hacking - that we'll get back to land to discover it was all a mistake. Truth be told, I've been using my volitile stomach as a bit of an excuse to put off discussing it with both June and the kids.

Trouble is, no matter how much I want it to go away, I'm starting to see signs of it everywhere. When I turned to my e-book reader to take my mind of the nausea, I remembered I was in the middle of Kurt Vonnegut's Cat's Cradle (looks like the Ice-Nine wasn't necessary after all, Kurt). Listening to my self-recorded bootleg of Bowie's latest tour, I was absolutely floored by the sincerity of the rendition of Five Years. He's always been ahead of the rest of us - I can't help wondering if somehow the bastard already knew.

So here I am again, almost exactly a week later and my thoughts are no more in order than before. Except for one thing - I've just been reading an email from an old friend in San Francisco. Apparently they're working on some project, "a positive response to the GEAS results". It's not up and running yet, but they're needing help coordinating the community once it is. I'm starting to feel like ANY kind of response would be better than what I've currently been offering, and a positive one would be a million times so.

I guess we'll see what comes of it.

Encerro essa série com a minha editora preferida, a mais cool da galáxia, Kate Lanphear, editora de estilo da Elle americana. Uma das melhores coisas da NYFW é que a gente fica vendo a Kate pra tudo que é lado. Eu sempre tive uma séria preguiça do tipo de menina jeans e camiseta, simplesmente porque é MUITO FÁCIL. E eu gosto de quem gosta do difícil! Mas Kate Lanphear é o exemplo de que dá pra ser incrível E simples E confortável e ainda por cima ser tipo uma versão feminina do David Bowie e ainda por cima fazer da Elle uma revista legal. Porque nem só de Vogue a gente vive!

Viram só, o nivel de coolness do ser humano? Kate Lanphear é tipo o Bowie só que não. Segundo ela, as coisas que ela mais adora são jeans e camisetas (duh), cashmere cinza, roupas antigas e gastas, roupas com buracos, Johnny Cash (duh) e tudo que tiver tachinhas. Essas gladiadoras Balenciaga de tachinha que ela usa nessa última foto foram motivo para o momento fashion victim da Kate: ela amou as sandálias tanto que comprou uma de cada cor...e teve que atrasar o aluguel do apartamento!Punky! (viu juju?)

+ links: A foto da Kate Lanphear lá de cima é do Jeremy Kost, que é fotógrafo pro fashionista.com. aqui tem um post falando mais sobre ele!

+ coisas: Queria aproveitar a deixa para dizer que teve bastante cinza nos desfiles da NYFW. Mais além eu posto mais exemplos. Várias peças em cinza-mesclado, aquela cor tradicionalíssima das camisetas da Gap (que minha irmã acha tão NY que chama essas camisetinhas de malha cinza de 'roupa de correr no Central Park'). E falando em Gap, todo mundo sabe que durante a NYFW rolou um stand kamikaze da Colette dentro da Gap, que foi resultado da parceria colettexgap. Vários criadores, convidados pela Colette, fizeram produtos inspirados na Gap e sabe o resultado? Muito cinza mescla, usado da sapatilha Repetto à bolsa de noite!

The music featured in the advert:

Run DMC - Walk This Way
David Bowie - Sound & Vision
KT Tunstall - Black Horse & The Cherry Tree
Blondie - Atomic
James Brown - Papa's Got A Brand New Bag

Raise your hands for Purge Noise

"Heavy Rock mob from West London..."

The Purge noise is bass heavy with song structures that deftly incorporate low-to-mid tempos (with some well crafted tempo changes)- reminiscent of something from the Welsh stoner metal band ‘Acrimony’ (and so,in turn, their music also doffs a
respectful cap towards Black Sabbath especially Sabbath 4 era.)

But the Purge sounds faster and more energetic than those stoner rock influenced blues- you get the feeling that these guys get up before 3pm and don’t “need some space to, like, trip- man” because they all do proper jobs, live in proper brick-built homes and they probably go to the gym and drink pro-biotic yoghurts too.

But the band also has a rap  metalcore edge (with its corporate roots in the sounds of ‘The Clash’ and its corporate head firmly ‘up there’ in the sounds of ‘Rage Against the Machine’) with a singer who not-quite yells a bunch of slogans but, to be more accurate, entices and invigorates the listener with a bunch of slogans. But there are definitely some blues-rock influences in there too and most people recognise some hefty chunks of ‘Led Zep’ in the Purge-Noise.

Supreme long-haired guitarist Kinghorn Mills is the powerhouse of the outfit and he takes your breath away with such ferocity and energising spirit. Distortion and atonality being the norm his guitar-work is, however, airbrushed against a backdrop of ‘proper’ riff based blues rock. But don’t overlook the bass player Stanley whose technically inspired bassline structures provide the architectural backbone for all the purge numbers.

Some of the lyrics are as ripe as a 10-day old Camembert oozing with fluid nuances, never unpleasant or excessive, but raw, acidic and often bitter enough to raise awareness and knock some kinda sense into you. There is a resonance and depth in these songs and the sound is like ripped fuel lines dragging in the gravel behind a runaway truck. I noticed a definite Bowie-esque sound to some of the vocals circa Suffragette City. Give ‘Dirty Dog’ a listen and you will hear what I mean.

Purge play all-out rock with the clutch disengaged, but with the type of clutch that allows you to adjust your senses and take away with you the tools of change. Full of gravel, gravitas and a sense of rock jamais vou. Purge deliver a knockout out shot of dopamine motivating and rewarding the listener, instantaneously, with increased heart rate, itchy feet and shattered ear-drums.

© Neil_Mach
Sep 2008

Purge are:

Burgon
(Vocals)

Kinghorn Mills
(Guitar)

Stanley
(Bass, Vocals)

Rogers
(Drums)

Links:

http://www.myspace.com/purgeuk

Catch 'em in Staines next at:

Oct 31 2008      8:00P The Hobgoblin     Staines

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David Bowie mugshot at Clayton Cubitt's Constant Siege.

at LA Times, via Drawn! :

photos from the set of Henry Selick's stop-motion animation adaptation of Neil Gaiman's Coraline.

And last, but not least, Marc Singer on All Star Superman #12:

Morrison and Quitely have accomplished something that many comics creators and fans thought impossible:  they've found a way to tell stories about Superman that feel fresh and energetic after seventy years of the neverending battle.  Yes, they amplify the menaces, but that's just the window-dressing.... The physical challenges are never a problem for the man of tomorrow....  The emotional challenges--to atone with his fathers, to be with the woman he loves, to confront his own mortality, to inspire our compassion and courage and hope--those are the tough battles, those are what really matter, and Morrison knows it.  His real coup is not just making Superman interesting again, but showing us why it matters that we still come up with new stories about him.  Because even if he were perfect, we can always be better.

Don't get me wrong... I love most of his stuff. But this is that sort of music that defines Cave as "cool", rather than your run-o'-the-mill talented musician. Cave has stated that this album is similar in sound to his side project Griderman; a more "garage rock"-type sound.

The music on this album tends to have a repetitive feel with lots of noise happening and a driving, cool beat. It also has an epic feel to it, thanks to the use of instruments such as the organ. It seems most similar in musical style to Let Love In. Vocally, Cave takes on a sneering, Bowie-like quality.

Like pretty much all of Cave's music, the lyrics are fantastic and a welcome departure from the flaccidity of much Western contemporary lyrics. In the great importance of lyrics to the overall feel of its songs, Dig Lazarus Dig!!! is similar to the Bad Seeds' previous studio (double) album Abattoir Blues/The Lyre of Orpheus, in which Cave's inventive lyrics could conceivably function as stand-alone poetry.

However, in my opinion, Dig Lazarus Dig!!! takes a step further. Its as if Cave has written a book and decided to read it along with some musical backing- often putting way more syllables in a line than we are used to with Western music. This has a similar feel to the operatic tradition of recitative: a focus on lyrics, with a sparse basso continuo accompaniment, to tell a story in between the arias. This makes the choruses even more effective, such as in We Call Upon The Author, where the recurring and driving chorus is especially dramatic compared to Cave's recitative.

A very cool album that was well worth downloading again when the first copy was a dud. 4 stars.

You can also see some of his work at the awesome Morrison Hotel Galleries.

En Coney Island (New York) se ubica el parque de atracciones Astroland. Coney Island es una parte importante del imaginario americano, escenario utilizado en múltiples películas y fuente de inspiración para muchos artistas como David Bowie.

Podemos encontrar atracciones centenarias, como la montaña rusa Cyclone todavía con estructura de madera... También es el último reducto de los Freaks de las antiguas ferias ambulantes y su actual lugar de peregrinaje.

Cuando paseamos por Surf Avenue, un gran paseo de madera entre la playa y el parque de atracciones, nos sumergimos en otra época, un pequeño sueño dentro del sueño americano. Sus viejas y encantadores instalaciones y sus personajes pintorésticos han sido el lugar de ocio para las familias newyorkinas durante varias generaciones.

Actualmente el parque está sujeto a una posible reconstrucción que destruiría muchas de las míticas instalaciones, dejaría en el paro a muchos trabajadores que siempre han trabajado ahí y desvanecería en el espacio la sede de las ilusiones de muchos niños ahora ya adultos.

Fotografías de Coney Island y New York (2008).

“Maryland anglers make a tremendous contribution to our state’s economy and play a significant role in the stewardship of our waterways and our aquatic life,” said Governor O’Malley. “The increased participation by children in this year’s contest brings hope not only to the future of this beloved pastime, but to the future of our natural resources.”

New life was brought to this year’s contest, as participation increased from last year’s 224 qualifying entrants to 1,345 anglers from 24 U.S. states, Canada, and Brazil this year.  New this year, a youth challenge qualified children, who participated in five community fishing derbies held across the state, to win unique guided fishing trips.

Walking away with the two grand prizes selected by random drawing were Fred Menage of Edgewater, Md. and Edir Sauerbronn Dos Santos of Rio De Janeiro, Brazil. Menage’s catch of a 40.25-inch striped bass in the Chesapeake Bay just below the Thomas Point Lighthouse won him a 2008 Toyota TUNDRA from Central Maryland Toyota. Menage, aged 69, weighed his fish in at 24 lbs. at Marty’s Tackle in Mayo. Md.

“It was beautiful and delicious,” said Menage, describing his catch. “I’ve been fishing my whole life and this one turned out to be my lucky fish. It’s unbelievable and so very exciting that I won this Toyota truck.  It will be the first truck I’ve ever owned.”

Dos Santos’ first catch ever in the Chesapeake Bay, a 42-inch striped bass caught aboard the Beach Comber out of Chesapeake Beach, Md. landed him a TRACKER boat, trailer and motor package from Bass Pro Shops.  Dos Santos was represented by his son-in-law Eric Hoffman of Dundalk, Md. today, who was also aboard for the lucky catch.

“Fishing is a great family activity that enables us all to get out on the water for some good, safe fun,” said Hoffman.  “Each of us caught great sized fish that day during our families’ fishing trip aboard a local charterboat.  We are looking forward to going out more on this gorgeous new boat.”

Additional finalists, Hunter Betz, an 11-year old angler from York, Pa., Mike Currie of Leonardtown, Md. and James Harrison of Annapolis, Md. won Bill’s Outdoor Center prize packages worth $1,500 each, and a $2,500 Boater’s World gift card, respectively. A TAG Heuer Formula 1 watch valued at more than $800 was also awarded by Smyth Jewelers to Nathaniel Rowe of Hagerstown, Md.

Lucky young anglers from across the state were awarded guided fishing trips:

ü Neil Villaneuve of Rosedale, Md.

ü Jessica Sheets of Jessup, Md.

ü Christian Connally of Bowie, Md.

ü Jacob Toomey of Pittsville, Md.

ü Layne Dittmar of Baltimore, Md.

ü Lacie Thomas of Baltimore, Md.

ü Nyja Morris of Clinton, Md.

ü Paul Anderson of Bowie, Md.

ü Morgan Rose of Salisbury, Md.

ü Nicole Bertazon of Halethorpe, Md.

ü Donald Jones, Jr. of Baltimore, Md.

The guided youth fishing trips were donated by:

ü Val Lynch of the Ocean City Marlin Club (for four kids and four mentors)

ü Maryland Charter Boat Association, Inc. (for three kids and three mentors)

ü Bill’s Outdoor Center on Deep Creek Lake in Western Maryland (for 2 kids and 2 mentors)

ü Ed Liccionne and David Sutherland of the Maryland Legislative Sportsman’s Foundation

ü Avid fly fisherman and co-author of the Guide to Maryland Trout Fishing Larry Coburn of Laurel, Md.

ü ESPN featured guide, Captain “Walleye” Pete Dahlberg of St. L,eonard, Md.

ü Steve Linhard of Annapolis, Md.

ü Ed Keller’s of Hagerstown, Md.’s Potomac Guide Service

ü Andy Andrewjeski off Deep Creek Lake in Western Maryland

“We hope our annual fishing challenge gave first time and experienced anglers an incentive to take advantage of Maryland’s great fishing opportunities, and particularly to share their passion for the sport with the next generation,” said DNR Deputy Secretary Eric Schwaab.

Organized by the Maryland Department of Natural Resources, the 2008 Maryland Fishing Challenge ran from Saturday, April 12 through Labor Day, September 1. While the contest offered a potential cash prize of up to $25,000 from Boater’s World and a $5,000 diamond from Smyth Jewelers for the capture the Diamond Jim, the bay’s most famous fish eluded anglers again this year.  All prizes for the Challenge were donated.

More than 60 species of fish were citation-eligible, including large and smallmouth bass, trout, walleye, musky and pan fish in the freshwaters of Maryland; rockfish (striped bass), bluefish, drum, sea trout and perch in the Chesapeake Bay; and tuna, marlin, flounder, kingfish and sea bass on the ocean-side.

“We are also very luck to have our Governor, Martin O’Malley, who from day one, rolled up his sleeves and went to work for Maryland’s fishermen and our environment, particularly the Chesapeake Bay,” added Schwaab.  “It is thanks to his commitment to our children and our environment that we are rebuilding our beleaguered Chesapeake Bay blue crab population, charting a new, sustainable course for fisheries management, and strategically targeting our conservation dollars to get the maximum attainable results for taxpayers.”

Governor O’Malley continues to make conserving and restoring our natural resources a priority though a more balanced budget that includes an additional $25 million in funding for Chesapeake Bay restoration efforts; fully funding Program Open Space; an additional $750,000 to improve fisheries management and restore habitat; an enhancement of more than $4 million to ensure sustainable management and quality outdoor recreational opportunities in our state parks; and $3 million for new Chesapeake Bay oyster and habitat restoration projects.

Any other requests?

Créditos: Artista: Sharían Sáenz. Video: Malki Sáenz y Sharián Sáenz. Música: D. Bowie (disculpas por el uso de tu canción David). Este no es un producto comercial.